RATING: C+
CGI has come a long way since the usage of it in movies became more mainstream. We're to the point now where we can use CGI to de-age actors or even create a human model from mostly scratch. Let's not forget, there was a time when if they wanted to do a scene with a younger (or older) version of a character, they either had to use elaborate makeup or a wig, or hire another actor altogether even. Now? Just slap some CGI on it. Gemini Man is what happens when you base the entire concept of your film around this technological achievement.
The idea for this actually existed as early as the late 90's, but at the time the technology didn't exist for what they wanted to do. So it stayed in development hell for 20 years, until doing something like de-aging was not only possible, but relatively more commonplace (at least among big-budget movies, anyway).
Here, Will Smith plays an aging assassin (Henry Brogan) who's decided it's time to retire. His retirement is unfortunately short-lived when he ends up being targeted by another assassin. The problem? It's himself... literally. Or rather, a younger version of him. And that's where the "basing your plot on a technological achievement" comes into play, as Will Smith has to fight a de-aged version of himself... on the same screen.
Now, what they're trying to do here is certainly impressive--and it mostly works. The younger Will Smith (known as "Junior") looks quite good, for the most part--and the fact that they were able to put both the real and the younger versions on the screen at the same time is pretty astounding. It is worth noting that the CGI for Junior does become a bit more obvious during a couple of outside daytime scenes, but when there's less reliance on lighting, they pull it off very well. And Will Smith does do a good job of playing both versions of himself.
Where the problems start with this movie is the script. Apparently, despite the fact that they had 20 years to make this thing, they didn't do much re-working of the dialogue, which is borderline goofy at times and definitely clashes with the tone. The other problem here at times is the pacing--it takes a surprising amount of time to get from Henry retiring to his doppelganger showing up. There's also a bit of a lull at times going from their first confrontation to their next one.
While the plot itself is fine, it's also rather predictable. Interestingly enough, the trailers for this revealed quite a bit--though they didn't really need to, seeing as a good amount of viewers would be able to figure out the "twists" anyway. Regardless, there's also a couple things here and there regarding how Junior got to where he is now that don't make a lot of sense.
But besides the Young Will Smith CGI, there's also some good action to be found here--such as a motorcycle chase that ends with one of the bikes being used as a projectile (it has to be seen to be believed), as well as a fistfight between the two Smiths. The final act is fairly entertaining as well.
The movie ultimately is far from bad--what they manage to do here with the power of CGI is a little too impressive to altogether dismiss, and the film itself is generally entertaining. The issue is that the film trips itself up a bit along the way at times, and besides the motorcycle trick, doesn't really do enough to stand out from the action-film crowd besides the visual effects. For something that took so long to make *only* because they were waiting for the technology to catch up, it's rather crazy that they didn't take the time to better iron out other certain facets of this. But it's still worth a watch anyway--for the CGI achievements, if nothing else, but it's hardly a dud otherwise either.
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