Saturday, October 13, 2018

John Wick: Chapter 2


RATING: C+

The first time we saw John Wick, it was a basic revenge movie. "They killed my ____, now I will kill them all." With a ton of headshots, some admittedly pretty awesome fight choreography, some amusing dialogue here and there and a good cast; but not a whole lot of a plot or a soul beneath all that. I mean, it was sort of enjoyable... and I certainly see the appeal. But when the plot is as limited as it is, it's probably going to have a hard time winning me over that much. So what's Chapter 2 like? Uhh... more of the same, really. Only this time we don't have a dead dog to keep us on John's side. Oh yeah, and the final act actually means something this time. So that's cool, I guess. 

The movie opens up actually with a somewhat pointless opening action scene: with John retrieving the car that was stolen from him last time. Seemingly just so he can keep a picture of him and his dead wife he had stashed in the glove compartment. Given that he had pictures at home, kind of feels like a lot of trouble to go to, given that he has to kill about 15 more henchmen and have the car essentially destroyed by the time he escapes. 

But once that's all done with, now he's really done. For good. Or rather... for about 5 seconds until some random criminal boss jerk-face shows up at his doorstep, wanting to call up on a debt that John owes him; more specifically, a blood oath. Left with basically no choice, he obliges on an assassination... and of course, one thing leads to another. And this film kind of ends up turning into the epitome of Al Pacino's words in Godfather Part III: "Just when I think I'm out, they drag me back in!" 

This movie really is a lot more of the same. John Wick shows up. Has to deal with bad guys. So he shoots them in the head. And other places sometimes, if necessary. Sometimes does some hand-to-hand combat. Repeat. A bunch of times. And occasionally a break. There's even another doggone nightclub fight scene. And the plot is still pretty loose. I mean, after John completes his mission, then the guy who commissioned him puts a bounty on him, because... uh... reasons. I guess they couldn't think of much else to keep the plot going at that point. Also, we're still missing some potentially interesting backstory or exposition info on this massive assassin/hitman society that exists in this universe. 

All of that said, what we get is still often pretty entertaining. The action is still very nicely done and choreographed. Chad Stahelski is *very* good at directing fight scenes, if nothing else. Ones that stand out include the two fight scenes between Common's character and Wick, and a late fight scene taking place in a hall of mirrors (it sounds like a bad idea, but it's executed quite well). In general, the fight scenes that involve more prolonged one-on-one fighting fare a lot better. 

One thing that had me interested in this sequel was the prospect of Neo and Morpheus being reunited. Yes, Laurence Fishburne is in this movie that Keanu Reeves stars in. Sadly, Fishburne is only in it for about 10 minutes tops. But he does kind of steal the show by hamming it up a bit. Good news is he'll apparently be in Chapter 3. Now all that needs to be done is to cast Hugo Weaving for the next movie to complete the cycle. 

I'm not really sure at this point if these John Wick movies are just senseless exercises in glamorizing violent killing, or a Breaking Bad/Godfather-esque proverb about choices having consequences that in cases like these can lead down an ugly spiral. Or maybe they're both. The series downplays the latter quite a bit, but it's still kind of there. And it's probably what keeps these movies interesting at this point, because even as cool as the fight scenes are sometimes, I probably would've stopped caring by the end of this movie otherwise. Because John Wick isn't cool or interesting to me just because he's a master assassin. He's interesting because he's not a totally soulless killer; but that soul is fading. Whether Chapter 3 will end with the inevitable culmination of that spiral remains to be seen, but I am a bit concerned that these filmmakers think *too* highly of their character and how many headshots he can get to allow that to happen. And perhaps I'm just reading too much into this nonsense anyway. Ultimately, the average viewer will be watching to see John Wick rack up a high body count once again, and they will be satisfied. Whether that alone is enough for the rest us is another matter. 

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